Welcome back. After the events of the Great Civil War and fighting alongside Iron Man (Robert Downey, Jr), Peter Parker (Tom Holland) returns to Queens and his uneventful high school sophomore life with best friend, Ned (Jacob Batalon). Pete longs for the attraction of senior hottie, Liz (Laura Harrier), but also wants ever so desperately to be a full-time Avenger.
Meanwhile, trouble is brewing. The alien attack some odd years ago in New York left behind some mysterious alien artifacts. These artifacts have been mined, harnessed, and cultivated by Adrian Toombs (Michael Keaton), a man who’s providing for his family but in questionable ways. As much as Pete wants to leave the borough for the big time, his home is going to need the protection of a friendly neighborhood Spider-Man.
There’s the old saying that goes something like “what’s old is new again.” I never thought that saying could apply to Spider-Man’s latest standalone reintroduction to cinemas in Spider-Man: Homecoming. It was only three years ago when he was last seen doing battle against the Green Goblin, Electro, and mass amounts of CGI. What could really be done to spin a unique web for the longstanding webslinger?
Sharing more in common with The Edge of Seventeen and John Hughes offerings than most of the MCU’s films, Homecoming certainly has elements of a superhero origins story, but it is more akin to “a day in the life” than full-blown beginnings. That means going back to high school and all of its pitfalls, extracurriculars, awkwardness, popularity and the like.
This is a deep dive back into the teen years, certainly not a cursory one. Homecoming spends as much time in the classroom and the hallways as it does along the New York skyline and under the iconic Spidey suit. It’s very relatable—almost everyone can remember back to those days as a teen craving more responsibility while being told to enjoy being young—and surprisingly fresh, even though it honestly should not be.
Part of that freshness can directly be attributed to the writers and director of Spider-Man: Homecoming. Writer/director Jon Watts (Cop Car) and contributing writers Jonathan Goldstein, John Frances Daley, Chris McKenna, Erik Sommers, and Christopher Ford are more known for their comedy and animated contributions than anything in the superhero realm. As such, Homecoming comes, thankfully, without any forced contrivances or common expectations as to what a superhero movie needs to have or do. One could even call it a central character study before a superhero actioner.
The action is firmly solid, though it’s where Watts shows a little bit of inexperience. Nowhere near the best action Marvel’s ever put on screen; then again, this film isn’t action-centric. As for the humor, it sticks on just about all levels in a very organic, free-flowing way, perhaps the benefit of having comedy writers. It may stand as the MCU’s funniest and breeziest movie to date, and Michael Giacchino’s score seems to reflect that.
There is a huge cast in Spider-Man’s latest outing, but obviously, the bulk of the work belongs to Tom Holland as Tiger—err—Peter Parker. The baby-faced youngster carries the requisite wit, duty, athleticism, and likability that has come to define Pete. What’s great about this iteration of Parker is that he truly is “nerfed” and vulnerable. He doesn’t grasp all of his powers quickly or the full capabilities of his suit. Despite clashing face-to-face against Captain America, Tony Stark makes it clear that he’s nowhere near his level, nor is he supposed to be. RDJ’s father/mentor role, screentime limited, is fascinating. He’s in Homecoming just enough to connect to the larger universe, yet is dialed back appropriately to reinforce the focus on Parker and Spider-Man.
To spoil any significant details about Michael Keaton’s Toombs character to those who have still yet to see Homecoming would rob the surprise and layers this anti-antagonist possesses. But he stands as one of the best big baddies of any comic book movie in recent memory, and there’s a way that Keaton goes about this role in his delivery and general persona that makes you want to see him succeed in his goals. Homecoming showcases many characters found in the comics, but served in unfamiliar ways. While it takes a little time to buy into the new Flash Thompson (particularly), Liz Allen, Michelle, and Aunt May, by the end of the film, Tony Revolori, Laura Harrier, Zendaya, and Marisa Tomei all add something to Peter’s story and should continue to do so in the future.
No spidey sense tingling happening here. Spider-Man: Homecoming brings the wall-crawler back where he belongs in extremely successful and never-before seen fashion. Excelsior!
Photo credits go to screenrant.com, comicbookmovies.com, and lrmonline.com.
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