Defend the bay, at all costs. Lifeguard “lieutenant’ Mitch Buchanan (Dwayne Johnson) is the longtime protector of Emerald Bay, keeping its denizens safe and the bay the place to be, along with Emerald lifeguard veterans Stephanie (Ilfenesh Hadera) and CJ (Kelly Rohrbach). He and the others take their jobs seriously, which the community thanks them for.
Buchanan’s team has three openings on it, and they are filled by the sassy Summer (Alexandra Daddario), the dorky yet persistent Ronnie (Jon Bass), and the bad-boy, two-time Olympic gold medal swimmer Matt Brody (Zac Efron). The latter addition tests Buchanan’s patience. While the initiation of the newbies is occurring, shady activity and dead bodies are proliferating on the bay, and it seems to suggest that new beachfront owner Victoria Leeds (Priyanka Chopra) may be connected. Though this is a job clearly for the authorities, who better to crack the case than the lifeguards of Emerald Bay?
There’s value in setting the bar low. Or adapting from something in which the bar happened to be so low. That bar I’m talking about is Baywatch 2017, of course adapted from the 90’s television show. I certainly do not remember anything about the show, or recall watching one episode in full, but the slo-mo beefcakes and buxom beauties is as ‘Merican as apple pie. This iteration of Baywatch provides that, yet unfortunately, little else consistently to be a memorable comedy, even with a low bar.
It wouldn’t be Baywatch without gratuitous slow motion (a spectacular opening scene uses it the best) featuring shots that focus on both male and female anatomy. On that front, director Seth Gordon (Identity Thief, Horrible Bosses), succeeds. There’s ample eye candy for all moviegoers. Seth Gordon is in on the joke…at least for the first 30 or so minutes, focusing on the absurdity of it all. There’s a turning point however, that occurs around this 30-minute mark that makes Baywatch not completely serious, but more serious than one may anticipate.This is the point in which all of the lazy editing, sometimes horrid CGI, and boring action sequences are noticed and the near two-hour runtime felt. At least there’s a nice soundtrack.
So the direction isn’t great, but Gordon isn’t the biggest issue in Baywatch. That would be the writing. Is it as bad as CHiPs? Not a chance. However, the story, though clear with no frills, plays out as an uninteresting murder mystery. “Mystery” is a bit of a misnomer, as all the trailers have outlined each puzzle piece and how they fit. What’s left is some crude R rated humor—most of it unfortunately sinking like an anchor—and Johnson’s character making a lame running joke throughout by not calling Efron’s character by his name, instead referring to him as “Bieber,” “*NSYNC,” or some other similar boy band/group. Gets old fast.
This should be better just by the presence of the two leading men. Everyone knows Dwayne is charismatic (he still is here), and Zac has found his career destiny in comedies playing some variants of hollow, douchey, yet somewhat still layered guys. But, their chemistry and timing isn’t completely tight; then again, they’re not given much to take advantage of. The lines they’re asked to read and the skim characters they’re asked to play simply do not allow for much comedy to be delivered.
Out of the rest of the cast, the most humorous moments are actually delivered by Jon Bass and Kelly Rohrbach. As far as the other women go, Daddario and Hadera fill roles of love interests with little else, and Chopra’s character, despite the movie trying to build her up as an intelligent villainess in an industry full of men, is extremely one-note the moment she appears on screen. It’s a shame, too, for as much diversity as the film carries in its cast, none of it translates to interesting, or at least consistently amusing, characters.
Perhaps old television shows should just be left alone and untouched at sea. This new Baywatch isn’t worth stopping for or staring at.
Photo credits go to movpins.com, fromthemovie.com, and slashfilm.com
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