“You said it yourself, b***h We’re the Guardians of the Galaxy.”
Not many movie studios are as hot as Marvel is at the moment. Since 2008’s Iron Man, their tightly yet expansively crafted cinematic universe has amassed crazy amounts of money on what some would call similarly structured films with established and recognizable heroes. The template is flipped a bit with Marvel’s latest feature Guardians of the Galaxy. In it, Peter Quill (Chris Pratt) is your average fortune hunter and legendary outlaw known to very few as “Star-Lord,” scouring the vast pockets of space for potential treasure. The potential treasure manifests itself in the way of a mysterious orb, valued by many unknown to Quill.
After others catch word of the galaxy-altering orb being temporarily in Star-Lord’s possession, an assassin named Gamora (Zoe Saladana), and bounty hunters Rocket Racoon/tree-like Groot (Bradley Cooper, Vin Diesel), all get into the mad dash for the crown jewel. Unfortunately, they all end up in jail where they come across Drax the Destroyer (Dave Bautista), who is after some personal vengeance. With the orb still up for grabs, villainous Ronan the Accuser (Lee Pace) targets the five for elimination. Despite having no true ties to each other, the individuals soon find that their and the galaxy’s best chance for survival is their cooperation, no matter how reluctant and hard that may be.
Hyperbolic as it may sound, the general thoughts and feelings in the months leading up to Guardians of the Galaxy appeared to be of the either/or variety: Either it was going to be an impressive success which would build toward the future and further cement Marvel Studios, or it would be a critical and even commercial failure that would knock said studio down a few pegs. With its release, the concerns are alleviated. Guardians of the Galaxy is over-the-top and unconventional fun.
Story-wise, this isn’t much different than past fare, most closely resembling the fight for the Tesseract in The Avengers, the first Captain America, and Thor. But the execution? Nothing is predictable about the way events play out. As a famous wrestling legend once said, “Just when you think you have all of the answers, I change the questions.” This movie revels in doing the opposite, being zany and flat out peculiar. And you buy into it despite the wackiness, because it is highly amusing, yet also carrying more emotional heft than anticipated, giving the sort of familiar “chase” story some weight.
Back to the main aspect that distinguishes this from others: comedy. GoTG is written with a ton of wit that hits consistent laughs, sometimes very hard. In most respects, the dialogue itself between the ragtag group is lightyears better than the action, which is solid if kind of unimpressive. What is great about the humor is that it isn’t limited to just one person. Sure, some characters just lend themselves more to comedy than others, but all have certain styles and specific moments where they shine front and center. Everyone in this played the comic relief at one point, which is a welcome surprise not often seen.
95 times out of 100, Marvel gets it right with casting, and this film is no different. Chris Pratt is Star-Lord, convincing as the sort of everyman (albeit outfitted with a slick costume and snazzy gun) that is really just trying to survive daily in the harsh galaxy. As seen in Parks and Recreation, Pratt knows how to elicit laughs, but it is his turn as a galvanizing leader here that is most intriguing. Zoe Saldana at this point seems pretty comfortable playing alien-like creatures in movies, but that doesn’t take away her overall effectiveness. Even Vin Diesel voicing three-worded Groot is memorable, though that may be more due to the technical achievement than anything Diesel does.
These three are great and without their contributions Guardians isn’t as impressive, but the two scene-thieves are Drax the Destroyer and Rocket Raccoon. The former, played by Dave Bautista (known to wrestling fans as simply Batista) is in many respects the deepest and most versatile character. Drax slides effortlessly into rage and deadpan humor at the drop of a dime, and Dave never seems stretched when doing so or out of place among his more accomplished stars. Last but not least is the hothead Rocket, voiced by Bradley Cooper. Cooper is allowed to be unhinged as Rocket, an anarchist wrapped in an animal’s body, akin to Conker from the Nintendo 64 days. You can tell Bradley is enjoying this, and so did I. Even with his diminutive stature, it isn’t hard to imagine Rocket being the face of the Guardians in regards to marketing.
High production is par for the course with Marvel, and this once again applies. It is a visual treat to look at, reminiscent of Mass Effect in many places. The only issue that pops up from time to time is that of the noticeable CGI in hand to hand fight scenes. It is fully realized that this is less rooted in reality than, say, The Winter Soldier, and it isn’t a huge qualm, but it is visible. What is audible is the old-school music vibe from beginning to end throughout this, giving a retro feel to a futuristic backdrop. It shouldn’t work, but it does.
It is a little easier to take risks when you have a deep well of past successes , but the fact that Marvel was willing to do something like this to shake up the template is a small marvel in of itself. Guardians of the Galaxy embraces being offbeat and wears it like a proud badge of honor. Add another money making film galaxy to the comic book universe .
Photo credits go to hypable.com, and nydailynews.com.