A Bad Moms Christmas: Movie Man Jackson

Tis the season to be jolly—errr, overworked. The threesome of friends in Amy (Mila Kunis), Kiki (Kristen Bell), and Carla (Kathryn Hahn) is up to their limits in stress. Why? It’s Christmas season, which means a lot hustling here and there, cooking, and being responsible for every gift and event. All the ladies want is a relaxed, lowkey time of year with their loved ones.

Those best laid plans go to the wayside when each of their moms come in ahead of schedule to complicate matters even further. There’s Amy’s mother (Christine Baranski), the perfectionist, Kiki’s mother (Cheryl Hines), the suffocator, and Carla’s mother (Susan Sarandon), the deadbeat. To take Christmas back, the three younger mothers need to be the strong women they are and stand up to the ones that birthed them into this world.

It’s easy to see why one wouldn’t necessarily be excited at the prospect of A Bad Moms Christmas, the sequel to last year’s surprise hit Bad Moms. The state of recent affairs as it pertains to mid-to-big budget comedies over the past few years isn’t exactly a laughing matter. And there’s the whole sequel aspect that many movies—especially comedies (looking at you, Dumb and Dumber To, Zoolander 2, and Hot Tub Time Machine 2) —drop the ball on. It’s with surprise, then, that A Bad Moms Christmas is the rare comedy sequel that is on par with and possibly better than the first.

Co-directors and writers Jon Lucas and Scott Moore return to direct the mothers finding themselves under immense stress again. Bad Moms rightfully tapped into an audience that was underrepresented in a movie-going audience, and achieved in becoming a sleeper hit. But intentional or not, it did feel a little too narrow on the four-quadrant movie scale. Not so with A Bad Moms Christmas. The broadening of scope to the holiday season generally makes for a more enjoyable time and an easier connection for a wider viewership, as we’ve all been there—mothers, fathers, sons, daughters, grandmas, and grandparents—experiencing the stresses of the St. Nick season. While not for all ages, it’s easy to see this becoming a staple in Christmas rotations and top 10 Christmas movie lists.

A Bad Moms Xmas is kind of dark. Not dark in a dark comedy sense (the vulgarity is doubled this time, for better and for worse), but thematically, tackling parenting issues of negligence, perfection, and attachment and seeing how these pressures can manifest down to the next generation of parents in a family. Some of it is forced, but this does give a little more emotion and depth to the storyline on this go-around. As for more heavy negatives, “Bad Moms 2” shares some of those common ones found in the modern R comedy, namely an over-reliance on montages, being vulgar for vulgar’s sake, and a runtime that runs long in the final act.

But overall, A Bad Moms Christmas delivers more than not on what it’s designed to do: Make an audience laugh. That is somewhat attributed to the returning threesome of Kunis, Bell, and Hahn, clearly having fun to the point where they seem to be legitimately laughing during the back-and-forth between their characters. But, they, along with everyone else, happen to be honestly overshadowed by the “Golden Girl” trio of Cheryl Hines, Susan Sarandon, and Christine Baranski in what happens to be amazing casting. Hines is gloriously twisted from the get-go, and Baranski has moment upon moment of excellent lines and running jokes delivered to stoic perfection. Of the three, Sarandon’s character is the distant third as Hahn’s mom, “Isis,” a little too mean-spirited to earn consistent humor as Hines and Baranski do, but nonetheless, at least she’s not in Tammy.

Whether a product of very disappointing big comedies or low expectations equated to sequel-itis, it comes as a surprise that A Bad Moms Christmas is not only competent but actually worth some real hearty laughs. Joy to the (comedy) world.

B-

Photo credits go to imdb.com, YouTube.com, metacritic.com, and collider.com.

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Bad Moms: Movie Man Jackson

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The PTA has more power at a school than the superintendent, apparently. Since the age of 20, Amy Mitchell (Mila Kunis) has been a mother. She is the lynchpin of her family—cooking, cleaning, and being a chauffeur in addition to working a demanding part-time job. In other words, she is a good mom, but also underpaid, overworked, and underappreciated.

She’s not the only one. After another overlong PTA meeting led by the prissy Gwendolyn (Christina Applegate), Amy tells her how she really feels. That same night, she meets new friends in Carla (Kathryn Hahn) and Kiki (Kristen Bell), who are in the same overworked and unappreciated boat as she is. Wanting to get away from their maternal responsibilities, the three start doing what they want to do instead of what others expect for them to do. Are they becoming Bad Moms in the process, or just blowing off some much needed steam?

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No one doubts the importance and hard jobs mothers (as well as fathers, but in this case, mothers) have. Each and every single one who takes their maternal job seriously needs to be commended. But, does a comedy about mothers eschewing their responsibilities honestly have a lot of legs for the majority of the viewing public? I tend to think not. Bad Moms might resonate a lot with the specific target audience (mothers), but for everyone else, there may not be all that much here.

The writers of The Hangover Trilogy and 21 and Over team up again to write and direct another comedy. Jon Lucas and Scott Moore take on motherhood, with the message being that no mother is a completely perfect mother, nor should they be. The message is a good one, and does make for a feel good moment near the end. However, it is a message that never finds a sweet spot until the end. Does being a “bad mom” mean getting hammered on weeknights, taking the daughter to play hooky, etc? Sort of looks that way.

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Yours truly probably wouldn’t have minded the incongruous message as much if there were sizable laughs in Bad Moms. Again, while the intended audience may find the premise full of laughs and zippy dialogue (older women in my theater couldn’t stop laughing), yours truly found most of the movie lacking in energy and in big humor. Additionally, it is also aimless in plot until about the second half, in which finally there becomes some goal that Kunis’ character aspires to obtain.

The cast tries, but they’re probably not as well-equipped to handle such writing shortcomings. As the lead, Mila Kunis grounds the film as needed, and not surprising, is the most relatable and realistic character. Her flanking buddies are filled by Kristen Bell and Kathryn Hahn. Bell’s role is essentially the straightest of the straight woman, while Hahn’s is much more of the wild card, over-the-top variety. Simply put, Hahn’s foul-mouthed, jackhammered character is a character one will either dislike or like; and actually, a large part of the enjoyment of the movie may hang on what side the viewer falls on because she does get a good amount of screentime. Sadly, I fell more on the dislike side.

Taking on the antagonist spot is Applegate, who is the most memorable character as a PTA ice queen. She’s flanked by Jada Pinkett Smith and Annie Mumolo. Comedy doesn’t seem to come naturally to the former, while the latter is playing a dumb henchwoman Nothing needs to be said about the men, who are all dopes, save for Jay Hernandez. There are some unforeseen cameos to be found that add fleeting moments of hilarity.

 hahnbell

Bad Moms carries an overall good message, but scattershot humor at best and nonexistent humor at worst. If only a little more motherly love was applied to its other areas.

D

Photo credits go to etonline.com, highnoblesociety.com, and Today.com

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