Sausage Party: Movie Man Jackson

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Don’t play with your food, it plays with each other. In a common grocery store, every single food item fantasizes about being purchased by “Gods,” humans who will whisk them away from shelves, freezers, and the like and into “The Great Beyond.” No food truly knows what happens after leaving the store, but the consensus is that a life of freedom and care by the Gods is given.

For Frank (Seth Rogen) and his hot dog (he’s a hot dog, not a sausage) friends, getting purchased means getting to slide their meat into some plump buns. He has always had eyes on Brenda (Kristen Wiig). His mission is almost achieved by getting a coveted spot in the shopping cart, but an incident from Honey Mustard (Danny McBride), begins to put doubt into Frank as to whether the Great Beyond is heaven, or more akin to hell. The better question may be, does it even exist?

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Let’s call it what it is. Sausage Party, mainly from the minds of Seth Rogen and Evan Goldberg (This is the End) is Toy Story (or any other inanimate object, for that matter) in edible form. In R-rated edible form. With that said, though, Sausage Party is rather thought-provoking, and may even be adept at leaving its mark on some viewers long after viewing. Is it funny? That depends.

Sausage Party feels most similar to Rogen and Goldberg’s 2013 comedy This is the End, albeit with a different message. Unlike that movie, which didn’t concern itself with the question of the existence of a higher power or whether a stylized Backstreet Boys-led heaven afterlife was real, Sausage Party actually does. The overall mature elements of the screenplay might just be the strongest element of the entire production written by the longtime duo, plus Jonah Hill this time around. What is also surprising is how we as the audience actually begin care for a few of these characters and their well-being, such as a deformed hot dog in Barry (Michael Cera). As far as technical quality goes, this is no high-budget Pixar offering, but it looks well enough, and ends up making some really memorable set pieces. Yes, set pieces, ones that feature action, horror, and something that would be right at home in the infamous 1979 movie Caligula.

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But even with surprising and pretty well handled themes, Sausage Party is a comedy that is 100% Rogen & Goldberg through and through, full of weed love and penis appreciation. Great news for Rogen fans, bad news for non-fans. Yours truly personally falls in the middle. The premise does allow for some good comedic wittiness that didn’t always appear in their other films, but the hardcore raunch does begin to take its toll after a while. The third act may be better enjoyed under the influence of a substance. It is the 50/50 hit/miss rate towards humor that leaves this comedy a little disappointing.

And while one should assume full responsibility for stepping into a R rated comedy, it can be argued that Sausage Party does veer into the very uncomfortable territory here and there, with one character in particular as a literal douche. Voiced by Nick Kroll, Douche is rarely funny, actually disturbing in some of his actions, and doesn’t really add to any of the plot’s proceedings. Gum is pretty hilarious, however as a clear nod to Hawking.

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Love Seth Rogen’s cut of comedic meat? Sausage Party is one that will absolutely be filling, along with some interesting ideas that are actually satisfying to digest. For all others, its comedy doesn’t fill all of the laugh holes on a consistent basis.

C

Photo credits go to nytimes.com, comicbook.com, and moviepilot.com.

Follow the Movie Man @MovieManJackson

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How to be Single: Movie Man Jackson

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Did Hollywood really need to make a movie about How to Be Single? They could have just came to me! In modern day New York City, finding companionship is hard. After four years of being in a college relationship, Alice (Dakota Johnson) feels the need to break up with her boyfriend, Josh (Nicholas Braun) upon graduation—temporarily. Her reason, being, that she needs to figure out some things in the Big Apple. Her paralegal job introduces her to a new friend named Robin (Rebel Wilson), who has no problems being a single lady.

Alice’s older sister Meg (Leslie Mann), also single, is all about her career as a doctor, having no desire to conform to society’s idea of having offspring at a certain age. But, she does begin to get an itch to have a baby after a routine patient delivery. And even Lucy (Alison Brie), a person who makes dating apps, has issues with finding a companion. Being single can be tough, but it also can be very eye-opening.

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Yours truly probably isn’t in the target demographic that How to Be Single, a film based off of a novel with the same name, is aiming to hit. It kind of feels like a prolonged episode of Sex in the City. Its release comes at a good time, with it being Valentine’s Day weekend, drawing in people that might latch on to it who are single simply because of its title. It’s an average ensemble piece rom-com that has similar issues to most rom-coms, with the occasional solid positive here and there.

Let’s start with some of the positives. It really isn’t saying much, but How to Be Single does feature a little more substance than many other ensemble romance-comedies. A high-brow analysis this isn’t, but it is a fairly interesting look at being single featuring a whole cast of characters who are single, instead of just the one story thread that often appears in these types of movies amid others. Although featuring many characters, the story connector is the same and makes it easy to follow along. Also, though an African-American male and not a Caucasian female (last time checked at least), still being currently single and around the general age of the lead characters, I can connect somewhat to what the main characters experience. Very possible that point alone plays into the fact of me finding some enjoyment in this.

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Directing-wise, this isn’t too bad either.  Christian Ditter brings some energy and some mild flair behind the camera with some nice lighting and solid song choices that match the story. Generally, he’s able to keep the movie moving at a solid pace, though at times, his reliance to jump ahead in time for a few months comes at the expense of character and true relationship development.

And honestly, it is the characters that How to Be Single gets mostly wrong. For a movie whose story seems to be pretty focused on reality and finding love in the 21st century, it’s odd as to why the characters could not be written with more layers. The obvious person that comes to mind first is Rebel Wilson, basically being Rebel Wilson throughout. If you find her funny, HtBS is going to be a riot. If not (like yours truly), this can be a chore sometimes as the comedy with her at the forefront never really lands.

Dakota Johnson is a fine actress, but it is hard to really feel anything for her Alice as she repeatedly makes the same mistakes. I understand that that is sort of the point, but her eventual awakening feels more predetermined, rather than earned. It sort of works, but it doesn’t hit emotionally as intended. The women aren’t the only ones who can feel fake. The lead male, Tom, played by Anders Holm, is just way too cartoonish to take seriously.

There’s a missed opportunity for Alison Brie, who appears in the marketing substantially but is clearly the fourth wheel after things get going. She’s off her kilter a tad too much and not exactly grounded, but kind of representative of some people finding love online nowadays. Leslie Mann’s character storyline is probably the most fulfilling, though her character can be a bit much with her “freneticness” and such.

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Credit where credit’s due. How to Be Single gets a rose or two for not being completely predictable, having a semi-interesting story about the difficulties of love, and subverting a few rom-com staples. However, it falls short of getting a full bouquet due to a majority of the cast of of characters showing why they deserve to be single.

Grade: C

Photo credits go to moviefone.com, YouTube.com, and aroundmovies.com.

Follow the Movie Man @MovieManJackson